4
Twelve Tone Systems, Inc.
90
Commercial
Burn CDs/MP3s.
17
Cakewalk Music Software
2,422
Commercial
VST Adapter converts VST format plug-ins to the Direct X and DX formats.
18
Cakewalk
257
Commercial
Digital multitrack recording and editing system.
1
Cakewalk, Inc.
57
Freeware
You just open the WRK or CWP file and Cakewalk locates and handles the audio.
6
Cakewalk, Inc.
3,949
Commercial
Cakewalk Studio Instruments is an affordable software instrument collection.
1
Cakewalk Music Software
6
Commercial
The Concrete Limiter uses clever look-ahead and oversampling techniques.
4
Cakewalk Music Software
1,002
Commercial
It is perfect for beginners looking to create virtual instruments parts.
5
Cakewalk Music Software
3,684
Commercial
It is a synthesizer capable of producing rhythmic basses, leads and pads.
3
Cakewalk Music Software
2,923
Commercial
Studio Instruments is a virtual instrument and recording studio program.
Cakewalk Music Software
106
Commercial
Using synthesis capabilities, it can help you to perform in the recording studio.
27
Novation
3,061
Freeware
Bass Station is a virtual bass synthesizer - it is available as a VST plugin.
2
M-Audio. A part of Avid.
61
Commercial
Drum and Bass Rig provides a wide variety of bass and drum sounds.
2
Get It All
52
Shareware
This bass lessons will help you to become a very good bass guitar player!
dspworx
20
Freeware
The DC-Bass Source Filter is a BASS based DirectShow Audio Decoder.
Native Instruments
2
Commercial
ESSENTIAL BASS is an instrument consisting of 200 versatile bass sounds.
2
Native Instruments
190
Commercial
SCARBEE JAY-BASS is the go-to source for slap and finger bass.
130
Softrave
5
Shareware
Bass Booster is revolutionary plugin that enriches bass.
14
ViPER520
245
Freeware
"Real Bass Exciter" is a psychology model based bass exciter.
seriousbusiness.ca
556
Freeware
The Bass Buttons indispensable Chrome extension for fans of bass music.
1
Ample Sound Technology Co., Ltd.
193
Shareware
Ample Bass J II aims to bring the Fender Jazz Bass sound to your studio.
